dir Richard Kwietniowski - Love and Death on Long Island features a tour de force role for John Hurt,
perhaps his best film ever. His performance is so professional - at once amusing and poignant - that we
in the audience cannot tire of him, even if the object of his affection, a teenaged movie star, does. John
Hurt inhabits the role of Giles De'Ath, a London-based writer of scholarly books and lecturer in the
museum circuit, who enters a movie house to catch an adaptation of an E.M. Forster novel. Instead,
the screen shows a vapid, teen-targeted exploitation work, "Hotpants College II." De'Ath is about to
leave when he catches its impossibly handsome young star, Ronnie Bostock (Jason Priestley), and it's
love at first sight. The aging widower shucks off his research into ethereal matters and begins to collect
what he calls Bostockiana - the star's videos, vapid magazine articles - and assures his housekeeper
that he is too busy to have her cleaning his room. Finally, he flies off to Long Island to meet his new
hero on his home ground, where he tries to persuade Ronnie to eschew banality and return with him to
Europe to pursue arthouse fare. "If Shakespeare were alive today, he'd be writing 'Hotpants 3'," he
assures the incredulous young man. "In Europe film can change the way people think," De'Ath
contends. A clever and thoroughly entertaining Love and Death on Long Island proves his point.
Maury Chaykin has a delightful role as the owner of the Chesterton town dive. (UK 1997) 93 mins. AA
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